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・ Dora di Bardonecchia
・ Dora Diamant
・ Dora Doll
・ Dora Dolz
・ Dora Dougherty Strother
・ Dora Draganova
・ Dora Dueck
・ Dora DuFran
・ Dora Dumbuya
・ Dora Elvira García González
・ Dora Gabe
・ Dora Gad
・ Dora Gaitskell, Baroness Gaitskell
・ Dora García
・ Dora Gardner
Dora Gerson
・ Dora Gordine
・ Dora Gorman
・ Dora Greenwell
・ Dora Gález
・ Dora Hand
・ Dora Heldt
・ Dora Heyenn
・ Dora Hitz
・ Dora Holzhandler
・ Dora Honnywill
・ Dora International Stadium
・ Dora Irizarry
・ Dora Kallmus
・ Dora Keen


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Dora Gerson : ウィキペディア英語版
Dora Gerson

Dora Gerson (23 March 1899 – 14 February 1943) was a Jewish German cabaret singer and motion picture actress of the silent film era who died with her family at Auschwitz concentration camp.
==Life and career==
Born Dorothea Gerson in Berlin, Gerson began her career as a touring singer and actress in the Holtorf Tournee Truppe alongside actor Mathias Wieman in Germany where she met and married her first husband, film director Veit Harlan. The couple married in 1922 and divorced in 1924. Harlan would later direct the anti-Semitic Nazi propaganda film ''Jud Süß'' (1940) at the insistence of Nazi Propaganda Minister Joseph Goebbels.
In 1920, Gerson was cast to appear in the successful film adaptation of the Karl May penned novel ''Auf den Trümmern des Paradieses (On the Brink of Paradise)'' and later followed that same year in another May adaptation entitled ''Die Todeskarawane (Caravan of Death)''. Both films included Hungarian actor Béla Lugosi in the cast. Both films are now lost films. Gerson continued to perform as a popular cabaret singer throughout the 1920s as well as acting in films.
By 1933 however, when the Nazi Party came to power in Germany, the German-Jewish population was systematically stripped of rights and Gerson's career slowed dramatically. Blacklisted from performing in "Aryan" films, Gerson began recording music for a small Jewish record company. She also began recording in the Yiddish language during this time and the 1936 song "Der Rebe Hot Geheysn Freylekh Zayn" became highly regarded by the Jews of Europe in the 1930s. Gerson's most memorable recordings from this era were the songs "Backbord und Steuerbord" and "Vorbei" (Beyond Recall), which was an emotional ballad, memorializing pre-Nazi Germany:

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